My Favorite Artist: Yamamoto Takato

I am an indecisive person. I don’t generally use neat categories, since things most often fit into gray areas. It’s usually hard for me to say anything is my #1 or “favorite” of something. However, when I discovered Yamamoto Takato’s work there was a click in my brain and I knew that I had found something that appealed to me so deeply and on so many different levels; so much so that I can confidently say Yamamoto Takato is my favorite artist.

Yamamoto is a Japanese painter who experimented with Ukiyo-e Pop style, ultimately creating his own “Heisei Estheticism”. Ukiyo-e influenced compositions meet with gothic scenes, creating gorgeous and brutally captivating paintings (check out his bio here).

Circle, from the Coffin of a Chimera collection
Salome, from the Divertimento For a Martyr collection

In Yamamoto’s work there are themes that come up again and again- youth and decay, innocence and destruction, darkness and light, horror and fascination. He presents the grotesque and the erotic together.

Distant Window, from the Altar of Narcissus collection

The subjects of Yamamoto’s work are often very confronting, holding you with their arresting gaze. Pain and pleasure, vitality and death, bondage and surrender— these intermingle often.

Bad Habit, from the Allure of Pharmakon collection
Saint Sebastian, from Divertimento For a Martyr collection, also featured in Necrophantasmagoria Vanitas collection.

Vampiric seduction and bloodplay have been a fascination of mine since my early teen years, and this theme is also reoccurring in Yamamoto’s work. My favorites of his pieces involve beautiful vampires feeding on androgynous, glassy-eyed prey.

A poster made of images from Yamamoto’s Nosferatu vampire collection.
Vampire, from the Rib of a Hermaphrodite collection. Also featured in the Nosferatu collection.

The images here are just a very small sampling of Yamamoto’s works. I am in awe of his huge life’s work of hundreds of detailed paintings, many of which are not found online but are included in his art book collections.

My collection of Yamamoto’s signed works are some of my most treasured books. They are produced in gorgeous hardcover with attractive slipcases and textured covers that suit the artwork inside.

I purchased my collection of his art books through http://www.yamamototakato.com/index.html

When I was in Tokyo last December, I got my nails done in a salon for the first time ever. I went to Aki Laccio and he created an amazing Yamamoto-inspired nail art look for me!

3 hours of detailed nail painting by Aki.Laccio

At the beginning of the pandemic, when the Getty Museum challenged people to recreate their favorite artworks using things around the house, I threw together this ode to Yamamoto using some blankets and costume pieces. I don’t think I captured the expression, but nonetheless I had fun doing it!

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The Art of Conversation

This is by far the most special art project I’ve ever done ❤. The Art of Conversation is a project that brings artists and seniors in our community together, made possible through a partnership between the Arts Council Wood Buffalo and St. Aidan’s Society. The idea is that the artist hosts a conversation with their partner and the resulting discussion becomes the muse for an art project.

Before I first called my partner Libby I was nervous- what if we didn’t click? What if I didn’t get any ideas for my piece? Happily, my fears were unfounded, as we had a great chat and I had the initial ideas for my project before we were even done talking. This project was a joy and Libby was my inspiration.

This video includes some audio clips from parts of our conversation, and video from my process creating the artwork.

Cosplay Quarantine Music Video

Cosplayers around the world who had been working hard on their costumes have found that the cons they were preparing for were cancelled thanks to Covid19. Cosplayers, however, are nothing if not creative. My friends at M’Guphynn Media, who usually bring their fancy equipment to cons each year and make cosplay music videos with the resulting footage, put together this awesome Cosplay Music Video: Quarantine Edition, made up of submissions from cosplayers (including myself as Rize Kamishiro at 2.36 and my doggos as Harry Potter and Mario at 0.24 and 3:04 respectivelty!)

Check it out! ❤

Why Cosplay?

Yesturday I came across this post by TheGamersJourney which is a response to a challenge by TheCosplayingBrooke and it inspired me to share my own thoughts on cosplay and why I enjoy it!

Cosplay is a total mystery to some people- why do we dress up as these characters, painstakingly crafting elaborate costumes, weapons and accessories? It’s expensive, it’s a lot of work, and some people look down upon it as being childish or cringey.

What’s with cosplay?

A little on my cosplay history…

My first time cosplaying was at Edmonton Expo in 2015. It was my first con ever, and I went as InuYasha. While my costume was designed by the amazing SkyCreation on Etsy, everything else was of my own making- the Tetsusaiga sword was my first weapon build, and it got tons of stares and photos- it was almost too long to fit in our truck!


A lot of my blood and sweat went into that Tetsusaiga… cutting glued industrial foam with an xacto knife is a dangerous business o.o

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InuYasha’s long haired wig was a pain in the butt, but luckily the ears I made worked well when sewn into it. I tried creating my own Beads of Subjugation with clay but they ended up being ridiculously heavy, so strung together some store-bought beads instead. I learned the trick of making realistic fangs out of acrylic nails and I’ve never looked back!


After cosplaying as InuYasha I was hooked, and I have since cosplayed Rin Matsuoka, Laito Sakamaki, Tsukimi Kurashita, and soon Krul Tepes (in progress)!


What inspires you to cosplay?

Usually I choose a cosplay project because I absolutely love the character- whether that’s a character that I am attracted to (my initial cross-plays of InuYasha, Rin, Laito) or a character that I admire or feel an affinity towards, like Tsukimi from Princess Jellyfish.


I have also started looking more at the aesthetics and style of a character- it’s especially fun to portray a character that has a unique and eye-grabbing style. For example, I cosplayed as Laito because he is my favorite character from Diabolik Lovers, but I almost chose to cosplay Kanato because he has awesome purple hair, his plushie Teddy, dark facial features that would be fun to replicate with makeup, and a really cool outfit.

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On the flipside of this, after having lots of struggles with long wigs, I might reconsider any future cosplay choices if they have crazy long hair!

I also consider the feasability of creating the costume- i’m still a beginner at sewing and crafting, and although in the beginning I purchased some of my pieces from online sellers, my goal is to create all of my costumes and accessories myself going forward.

What got you interested in cosplay?

Cosplay was on my radar ever since I was a young kid, I think. I’m sure I didn’t know “cosplay” was a word back then, but I used to dream about dressing up as the blue Power Ranger or Sailor Mercury. I used to pretend to be these characters when I was playing with my friends, but there was always this yearning to wear the costumes and take on the role of someone else.

Halloween was thrilling for me, and I’ve loved getting into costume for school plays and things like that- cosplay was a natural progression, I guess.


What does cosplay mean to you and what does it bring to your life?

Cosplay does lots of things for me. It gives me a new way to be creative and learn new skills- I’ve designed my own accessories and weapons, learned how to use a sewing machine, dabbled with costume and sfx makeup, and improvised materials and costume fixes.


It also gives me an immediate sense of community. As soon as I stepped into the expo hall as InuYasha, strangers began approaching and complimenting my handicraft, expressing their love of the series, and so on. I call conventions “being with my people” because it’s so fun to feel completely free to dork out and celebrate that dorkiness with others.


I love seeing diverse people of all different backgrounds and abilities, from all walks of life, young and old, coming together in celebration and shenanigans because of their shared geekiness. It’s a beautiful thing to be a part of!


Who do you cosplay for?

I cosplay for myself, because I truly enjoy it, and also for the geeky community that I meet at things like conventions. Just as I feel excitement approaching someone who is playing one of my favorite characters, I love it when I see and hear excitement from others about my cosplay. When people ask to get a picture with me, it makes my day. There is something so special and magical about being tapped on the back by Miroku when I am browsing anime dvds at a giant nerdy tradeshow, and getting a picture together!

Is cosplaying freeing for you, either to be more yourself or explore different parts of yourself?

Being around like-minded people certainly does make me feel freer to be my squeeful fangirl self without restraint. Since starting my cosplay journey I feel more confident being bold and sharing my individuality even when i’m not surrounded by other geeks. It’s empowering!

Cosplay also allows me to bring a bit of the theatrical into my life. On the one hand, I get a chance to play with my own look and take on aspects of characters I find similar to myself. On the other hand, cosplaying a character like Laito, who has a personality much stronger than mine, is a lot of fun.


Participating in cosplay competitions is very rewarding even when you don’t win anything, and I am planning to continue signing up for them in the future! It’s not often I get to be on stage with hundreds of people watching me. It’s a crazy experience.

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^Awkward Tsukimi shuffle off the staaaggeeee! (Picture rights belong to Edmonton Expo)

Lose Yourself In the Magic of Artistic Creation

I’ve previously written about my hard times completing my Bachelor of Education. Yet, there were also some beautiful times amidst the struggles that I experienced during that time.

One such ray of light was a class my cohort took together, a course on teaching art to kids. In this class we explored the basics of artistic composition and art history, as well as playing around with various mediums and styles.

The class was EXTREMELY polarizing- people either loved it or hated it. Happily, I was one of the ones who loved it. Our teacher, a wise young woman named Tessa, exuded an air of calm, whimsy, and a hint of rebellion. I looked forward to her classes very much- she was flown in from Edmonton regularly to our small northern municipality.

We did things like unrolling a giant roll of white paper, circling it like a group of witchy practitioners in a chant, loosely dripping black india- ink from large brushes. Later we ripped off pieces from the resulting scroll which we turned into landscapes filled with strange creatures and bugs. I kept an additional scrap and made this cat:

For the class, each of us had a large black sketchbook, and Tessa encouraged us to draw in it at least once a day. Again, for some of my classmates this was torturous, but for me it was the first hint that art was something I needed in my life. It had been a long time since I’d carried a sketchbook around or devoted myself to playing with art, and it turned out to be very cathartic and calming for me.

One project was to create our own personal emblems through a print stamping process- I was stuck on what to design for myself, but ended up creating something that incorporates hints of sun rays, book curvature, flower and pawprint.

At times many of the class, including myself, became caught up in the particulars of their art, feeling inadequate or not ‘good enough’. I now realize though that the act of creating something is its own reward.

Playing with colour, mixing and dabbing, moulding and sketching- you don’t have to hold yourself to some imaginary standard to enjoy making art. If anything, enjoy it as an opportunity to incorporate play into your life and let the colours awaken your sight and boost your mood, regardless of what the end result is.

^ I remember making this weird slapdash thing thinking ‘wtf am I making’ but I just went along for the ride and had fun with it. I’m not particularly fond of it, but nor do I dislike it.

Another approachable way to have fun with art is to reinterpret or play with parts of a work you admire. This piece, inspired by Munch’s ‘The Scream’ aims to portray the technological fears and intense panic attacks I was experiencing back in those days.

The entire course felt different from the rest of our studies. It stands out in my mind as colourful splash amidst an ocean of grey lecture rooms. We were so used to sitting at tables diligently discussing theories and studying facts that in contrast the freedoms of learning about art in that sunny room with Tessa felt like a spiritual journey.

One day she told us to find an elevated area like a table or counter and lie on our backs. I lay there, expectant. Tessa noticed me fidgeting and staring up at the industrial roof.

She asked ‘what do you see up there that is so interesting, Shauna?’

I replied ‘Im looking for an interesting angle. We’re painting the shapes on the roof today aren’t we?’

Tessa laughed and smiled at me, ‘Oh, no! Close your eyes. We are going to do a guided meditation’. It was lovely.

Something very strange happened as the course came to an end. We did a sculpture project in which Tessa directed us to create a mask that represents a different side of us- perhaps one that we don’t show to people, one that represents the monsters pulling at us each day.

My mask design, with pinhole eyes reminiscent of a Dave McKean creation, represented my anxiety and narrow focus, something that I was struggling with increasingly at that time.

This was before my “hell practicum”, but even then I was in a bad place mentally.

Tessa advised us to take our sculptures, which represented our anguish and pain, and take them into the woods, leaving them to succumb to the rain and return to the earth.

I thought it was a beautiful idea, so on a sunny day I took my dog Tegan with me for a walk on the nature trails.

I gave my sculpture to the earth, hiding it behind a memorable tree with a spray-painted face.

A mere couple of days later I returned to the spot, fully expecting to see my sculpture still there in the bush. It hadn’t rained, and I placed it somewhere out of the eyesight of a casual passerby.

Yet, it was gone…

Even more strangely, something was left in its place. Right in the very spot that my mask once lay was pile of…Lentils? Seeds? To this day I’m not really sure, but I keep thinking that fairies made off with my statue and left me a little gift in return.

Consuming vs. Creating

I wish I could find the exact quote; I read a book once, a good few years ago (I can’t even remember what book it was). I have no recollection what the book itself was even about, but I do remember this: the author quoted someone who said something like “if you aren’t actively creating, you’re just a consumer”. That simple, harsh truth really stuck with me.

Back then I realized that, for a variety of reasons at that particular moment in my life (okay… decade of my life) I was barely creating anything. I was solely consuming in all meanings of the word- consuming food, entertainment, and material goods mindlessly. I wasn’t using my creative mind in my job, in my hobbies, or in my day to day life. I was spending way too much time scrolling endless junk articles on my phone. I’d lost my teenage penchant for writing poems and playing with visual art.

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^Ignoring my friends for my phone? >.>

I don’t want to come off as preachy- technology is super useful, and we use our cell phones for so much more than distraction seeking. Plus, it’s fun and recharging to do mindless things once in a while, and I have abandoned the term “guilty pleasure” because if you love something, why should you feel guilty about enjoying it? Speaking of which, read this awesome blog post by @biblionyan on the topic of guilty pleasures!

But that’s the thing; this “guilty pleasure” pastime of scrolling and losing myself in click-bait wasn’t actually enjoyable for me. It was just a habitual, unfulfilling distraction I automatically turned to because it was easy and gave me a hit of dopamine.

I knew I wanted to spend more time creating again and really using my free time to learn new things and develop new skills, but for some reason this mindset just didn’t stick. I’d read an inspirational book, or watch a documentary, and feel motivated- for a couple of days. Then I’d fall back into the same stale routines.

Happily, I have now gotten to a place where I am creating and living so much more again. I am writing, drawing, painting, dancing, studying, traveling, and learning new skills like public speaking. I’m seeking out new opportunities rather than hiding from them. This has come about in the last two to three years. How did I get my creative spark back? Why hadn’t I been able to reignite it sooner?

My anxiety and depression were holding me back.

I unpacked about my struggles with anxiety and depression in a blog post recently, which you can read here. Long story short, after years of battling these issues, talking to counselors, and trying lots of methods unsuccessfully to manage, I finally tried medication prescribed by my doctor, and it helps me so much. Life is exciting and fun again. I feel like the old self I once knew and lost somewhere between adolescence and adulthood.

The passion for my job at the library, which I knew was lurking inside me, finally bloomed. I worked on building up my self-confidence from my lowest low. I started seeking out new opportunities instead of waiting to be asked. I began using my creativity more in work projects, and at home.

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Feeling lifted out of the muck, I sought out new hobbies: handbell choir, dance classes, sewing, yoga, cosplay, crafting, dabbling with ukulele, volunteering at the SPCA. I even helped out with some small roles in a local web-series created by-nerds-for-nerds. Speaking of which, my dorky fangirl self, who had been hiding in a sort of shame cave, fearing judgement of others, emerged proudly once again.

I started creating visual art again, something that I had largely abandoned in the height of my anxiety and depression. Before long it became a familiar habit. I get a regular urge to create art now, and when I get into my flow several hours can pass without my realizing.

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I’ve since started sharing my art in small local galleries & markets, and online. Sharing my art and creative projects with the world brings me joy.

I think that everyone has the capacity to be creative in their own way. Sometimes we get bogged down by a narrow idea of what “creativity” means, but we can be creative in so many different ways- at our jobs, around our homes, through the clothes and accessories we wear, or in our gardens, for example. Right now I am slowly but surely working on a goal of being more creative in the kitchen with baking and cooking.

Speaking of infusing creativity into our daily lives, recently I came across this extremely interesting Ted Talk by Ingrid Fetell Lee about the roots of joy.

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She presented her insights about some of the universal triggers of joy as discovered through studies of people all around the world- things like bright colours, soft shapes, fractal patterns, novelty, abundance, a feeling of light and air.

Two take-aways that stuck with me:

  1. Why,  if these playful, colourful, and creative expressions bring us joy and increase our happiness and productivity, do we design so many aspects of our homes, offices, hospitals, schools, and streets in uninspiring, predictable shapes, and shades of beige and grey?
  2. Why do we judge people who embrace colour and creativity in their own lives, in what they wear, how they decorate and so on, by labeling them as kooky, emotional, unprofessional, or “girly”?

I think we can learn so much from people who incorporate fun fearlessly into their lives (or rather, refuse to let go of it just because they are getting older). I’m fascinated by people like Iris Apfel, Yayoi Kusama and Elizabeth Sweetheart who present themselves however feels right to them, and don’t give a flying fluevog what society thinks of them for being different. Thanks to social media like Instagram, it’s easier than  ever to find unapologetically creative people and bold sartorial inspiration.

A potential struggle for being creative is the busy lives we lead- there were times when I thought “how will I possibly have time to finish this personal project”? But as with anything in life, you make time for what is important to you, what makes you happy and fulfills you. I work on art during my work breaks sometimes, and because I consider my art time important for my well-being, I will pass up invitations or events on occasion if I know I haven’t had time to paint in a while. I am lucky to work at a library where I have the option of using my creativity on a regular basis such as illustrating the Joke of the Day, making fun book displays, or drawing pictures to accompany my power-point slides!

Yes, I still check my phone, yes I still watch Netflix and play video games, but when I do I always aspire to be mindful and intentional with this use of my precious time, and avoid getting lost in zombie-like distraction. Time is the most important commodity we have, and in this often cruel and unfair world I’m privileged to be a healthy woman living in a safe country where I have the gift of free time to explore my creativity. I don’t want to squander that.

Freeing myself from depression and intense anxiety has enabled me to enjoy my life and creativity to the fullest. I am glad that the days of dragging my feet through life are behind me. After 10 years of waking up with sighs of fatigue and defeat, sighs of contentment are a welcome change. There are so many things I want to do with my life that I don’t know where to start, so I am dipping my toes into everything.

I wish I could share this wake-up call with the world (well, that’s what a blog is for, I guess) but I think that, first and foremost, it’s something that you need to truly want for yourself.

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Geek Style (?) Snapshots

Last night I saw an Instagrammer’s art depicting how her style has changed throughout the years. I loved the idea, so I made one of my own:

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Throughout the years, my “style” wandered from what Mom dressed me in, to a sort of rebellious “who cares what is on your body” phase, to a memorable teenage spell of (mostly) manufactured darkness and woe. I didn’t usually spend money on clothes, but if I did I would just buy whatever was cheap, or shirts that featured a character or series I was fond of.

It was only after I graduated High School that I started working in jobs that I cared about, and began dabbling with purposeful, intentional style choices.

That’s not to say that I am well versed in the means and vocabulary of fashion- far from it. I often don’t know if an outfit would work well with tights or not, and I only recently began collecting useful pieces like slips, strapless bras, and hair mousse. I’m 28 and I still haven’t mastered the smokey eye, or tried fake nails.

What I’ve learned though, is that clothes and accessories are just another hobby, another means of expression, and another tool in your toolkit.

The first person who made me excited about playing with style was YouTuber BubzBeauty.

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^ via http://www.bubzbeauty.com/

Lindy, or Bubz as she is known online, has been vlogging for years, and in my late teens I began watching her videos. I don’t remember how I found her- probably trying to learn how to braid my hair or something- but I began to enjoy her videos as they came out, learning new tips and tricks for clothes, hair, and makeup.

What I especially love about Bubz is that she shares not only style advice, but also messages of positivity and self-care. She is a genuinely kind and funny person who helped me learn some basics of style and makeup, and begin to build up my self-confidence.

Bubz got married a few years before I did, and I even referred to her wedding videos when planning our wedding.

Now she and Tim have two adorable kids- i’m sure if I have a baby someday I will turn to Bubz’ videos for help!

Another style inspiration of mine is Kim Kibum, SHINee’s Key.

Key’s playfulness and individuality with style is so fun, and really taught me that style is for YOU; it’s not for anybody else (unless you want it to be!). Key occasionally wears statement pieces that are not my style, but the confidence that he rocks them in makes it clear that he is owning the clothes and not the other way around.

Whether it’s graphic pins, bold socks, neutrals, patterns, whatever- Key dresses to impress. He has nudged me into looking at clothes and fashion in a new light- as something fun to explore rather than a world that I fail in and know nothing about.