Your Friendly Neighborhood Comic Shop

Do you have a comic shop in your life?

When I was a kid, we didn’t get out for spur-of-the-moment shopping trips much since my Dad did shift work and my Mom, who also worked, was a homebody who would plan driving routes and trips carefully in advance with some anxiety. She would stress the need to be home within a couple of hours lest the dogs spontaneously combust in her absence. My parents are totally wonderful and I had a happy childhood filled with books and comics, but it didn’t really include comic shops.

In my teen years, I would sometimes visit the Chow’s Variety shop that was a 20 minute walk from my house, but it was more of a specialty magazine shop that just so happened to have some comics (alongside plastic-wrapped nudie mags, fish bait, and baseball cards), so the pickings were slim.

Today I’ve finally become familiar with my local comic shop, Nerdvana- it’s a little gem in Fort McMurray with comics, manga, graphic novels, figurines, and kind, attentive staff.

Nerdvana staff teamed up with some local filmmakers and friends in the last couple years to create a really cool web series that recently won an award for Best Ensemble Cast at the Miami Web Fest! The first season has been completed and hopefully a second season is forthcoming…

I even helped out as an extra a couple times (you can see my 0.5 second of fame at 7:35 during the flashback scene on the pilot episode and at 1:13 on the series finale...)

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I’ve got a couple of ongoing comic subscriptions at Nerdvana right now (Snotgirl, The Crow, Isola, Lady Mechanika) and it’s fun to pick them up and chat with the staff about nerdy things. I also enjoy the serendipity of browsing a physical store, and I’m happy to support a small local shop run by friendly people who do cool stuff in our community!

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Long live our comic shops!

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Bill Maher Needs to Read Comics

Brace yourselves, this is something I’m realllllllly passionate about, so here comes another one of my blog posts that is pounded out in an uncontrollable flurry.

Bill Maher knows how to kick up a firestorm online- his recent blog post disses the recently deceased legendary Smilin’ Stan Lee and challenges the legitimacy of comics as a format. It closes by laughably implying that the people who view comic books as important are the ones who voted for Trump. Sure, Bill… yeah no.

Firstly, on dissing Stan Lee- even if you don’t appreciate comics, Bill, there’s no need for that low blow (other than shoehorning it into an intro for a controversial blog post that will get you lots of views, I guess?). It’s undeniable that Mr. Lee’s creative genius has touched the lives of many people, and suggesting that art, literature, and entertainment are not vital to life paints a false picture. Bill writes:

“Someone on Reddit posted, “I’m so incredibly grateful I lived in a world that included Stan Lee.” Personally, I’m grateful I lived in a world that included oxygen and trees, but to each his own”

What exactly is your point here? I don’t know about you Mr. Maher, but I don’t want to live my life fulfilling only the lower rungs of Maslow’s Hierarchy of Needs. 

Ok, on to comics. Here’s what he has to say on that topic:

“Twenty years or so ago, something happened – adults decided they didn’t have to give up kid stuff. And so they pretended comic books were actually sophisticated literature.”

As an educator and an MLIS student, you really awaken the fire in me with this one, Bill. Who is to say what constitutes “sophisticated literature”? Is it a word count? Is it a certain vocabulary? Is it one of those “i’ll know it when I see it” things? I call bullshit.

Comics are a format, not a genre. I’ve spent a lot of time getting to know comics in my 10+ years working in bookstores and at my public library. At my library they call me the Comic Queen because i’m so passionate about spreading the word about the versatility of comics (and graphic novels, and webcomics, and manga, which are all forms of sequential art)

So, again, what makes something “sophisticated literature”, exactly? Does the use of sequential art immediately reduce something to junk reading for kids?

Hell no!

Comics are just a format, Bill. They can be used to address any kind of information, and can be tailored to suit the needs of readers of any age. They are increasingly diverse and inclusive as more artists, authors and publishers jump on board. Comics are especially wonderful because they are approachable and lots of readers, even reluctant readers, may be enticed to read a comic because of the pictures.

Yet, unfortunately, Bill, you have joined the masses of people who mistakenly believe that the comics format = kid stuff, as if the format somehow dictates what kinds of content can be delivered in a comic.

There are comics that:

These are just some examples, but comics can be about ANYTHING. More and more comics are coming out every day on all kinds of different topics.

And yes, comics also include superheroes sometimes- what’s wrong with that, Mr. Maher? The world of superhero and fantasy comics is gigantic and diverse in its own right, and has been and continues to be entertaining, inspirational, and motivational for many people all across the world.

At the risk of triggering Bill Maher, i’d like to finish here with one last sentiment:

Rest in Peace, Mr. Smilin’ Stan Lee.

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Fit Your Material to Your Audience (Not the Other Way Around…)

Sometimes you try something and it just doesn’t work out. Sometimes you look at your creations so much that you can’t see them the way others would see them. I can be really hard on myself for these kinds of things, but I am trying to learn from my mistakes and “get back on the horse” when they happen so I don’t lose confidence.

This past couple of weeks my colleague and I have been giving tours of the library and informational presentations to grade 7 students. We still have more to go- there are 7 tours in total. My manager asked if I could give the students a mini-version of my “There’s a Graphic Novel For Everyone- Yes, Even You!” presentation since the teachers had been asking about it, to which I of course said YES!!!

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So each day, my colleague starts out the tour, bringing the group around both floors of the library, doing a scavenger hunt, exploring some online resources, and then she hands them over to me for the final half of their visit.

I altered my original presentation for the grade 7 students, shortening it and changing some of the language and content to be a bit more suitable for their age. I was excited to present it, but as I was going through it with the students on the first tour and they were reading out the character cards i’d designed, I really began to realize how advanced some of the vocabulary I had used was. I also noticed that some of the titles featured, while perhaps acceptable for their age group, were not really as thrilling to the grade 7 kids as they were to me. Oof, gr. 7 is a Tough crowd, I couldn’t help thinking for a moment as many of them sat staring at me with glazed faces, picking at their shoes.

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(Examples the slides from the original presentation)

On the second day, after our second tour, my colleague asked if she could talk to me- “I don’t want you to be sad…” she said kindly, “…but the teacher who organized the tours called me, and she said the presentation is too advanced for the grade 7 kids.”

Although I had also been thinking that the altered presentation might still be too in-depth, to hear it coming from the teachers gave me a sinking feeling of anxiety and reminded me suddenly of my hell practicum . 

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However, as soon as I heard the feedback the teachers had given, it became very clear to me what the problem was with my presentation- I was trying to make the kids fit into my presentation and not the other way around. I put a lot of time and effort into the first version of the presentation, including original characters and artwork, and because of my attachment to those pieces I didn’t truly consider them through the eyes of a grade 7 kid like I should have.

Sure, lots of people in other situations enjoyed the creativity of my original presentation, but it was made for an audience of adult library conference goers! Yes, there were a few kids who answered my questions eagerly and were genuinely interested in what I had to say, but those were the kids like me who already loved books in grade 7- if the point of my presentation is that comics are for everyone, I needed to convince the OTHER kids. Yes, I had already edited my presentation a bit for the classroom tours, but it was clear I had to start fresh.

I assured my colleague that I could whip up something different that would be much better suited for the grade 7’s. “Are you sure? The next tour is Monday afternoon…” (this being Friday merely half an hour before our work day was ending). Yes, I knew what I needed to do.


 

So, I put together a completely different presentation- shorter, simpler, with a bright new PowerPoint style and carefully selected title recommendations. I planned a group activity with the help of my colleague that would get the kids’ energy out a bit before they sat down again for my presentation.

I’ve gone through this new presentation and activity with 4 tour groups so far, and I’m very glad to say it is working out much better. The teachers complimented some of the changes we made to tidy up the flow of the tour, as well as the changes to my presentation about graphic novels. Overall the groups have been more engaged. More kids have started coming up to me after presentations to ask about certain books that were featured.

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I’m glad the teachers reached out with their concerns instead of letting me stumble through all of the tours- it’s not often I work with kids in that age group, and the teachers know their students’ interests and capabilities best. I’m also glad that they gave me a chance to alter the presentation and give it another try. Once again my respect for teachers grows, because although I enjoy doing the tours, being in charge of a large group of tweens for only one hour is extremely draining on me- and teachers have them all day for the whole school year!

 

 

 

Beasts of Burden- A New Comic Fave!

A lovely woman at the Comic Hunter shop in Charlottetown PEI highly recommended this book, and it was an easy sell for her because I love dogs, I love comics, I love dark and creepy stories, and I love it when someone shares their favorite reads with me!

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If you aren’t into animal stories, I’d suggest you still give this one a chance, because this series is more than meets the eye. While it’s full of sniffing-sleuth shenanigans and humour, the series focuses on arcane paranormal activities, strange creatures, and carnage!

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I felt there was a very good balance between each story, flowing from disturbing tales into more (relatively) lighthearted stuff and with bits of charm and laughs throughout. Jill Thompson’s gorgeous watercolour illustrations are perfect for this comic- together with Dorkin’s writing the characters really come to life, each with their own distinct personalities. I have a fondness for Pugsly!

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Highly recommended!

 

 

*note: this review also appears on my Goodreads 🙂

Spoiler-Free Review: Displacement by Lucy Knisley

Dustin and I are enroute home to Alberta from our 2 week vacation visiting my parents in NB.

Our flights got changed unceremoniously at 3am last night, so while we got a lot more sleep than we were expecting, we now have a really weird mishmash of flights and a 7 hour layover in Toronto.

To look at the bright side, though, I’ve got a ton of ebooks downloaded from Hoopla and Overdrive, and lots of time to catch up on my reading!

Lucy Knisley is one of my favorite authors. I’ve read several of her graphic novels, which are gorgeous, comedic, and full of honest, sometimes uncomfortable, reflections on life.

I enjoy the messy truth of an honest memoir, and Lucy never disappoints. I am currently drafting a comic memoir of my own, and Knisley’s work played a big part in opening my eyes to the versatility and potential of the comic format for memoirs.

ANYHOO, without further ado, here is my review of Displacement (as posted on my Goodreads).

Another fascinating personal memoir from Lucy Knisely- this time on a cruise ship with her grandparents who are in their 90’s and facing debilitating physical and mental health problems.

Lucy doesn’t censor her thoughts, even when they don’t cast her in the most positive light. She struggles with her inner criticisms, her candid thoughts, and her desire to understand her elderly grandparents.

As with her other works, this beautifully illustrated comic memoir is a mixture of self reflection, emotion, reminiscence, people-watching, existential pondering, and comic exasperation.

I really enjoyed the juxtaposition of Lucy’s situation on the ship paired with snippets from her grandfather’s war journal.

Yes, it is hard to confront aging, infirmity and death, but Knisley does it with love and honesty. It’s always a treat to read her work.

Librarians, ghosts, mental-health & diverse characters: A Spoiler-Free Review of Archival Quality

Yesterday I was examining our library’s New Book display, as I am wont to do, and I noticed this book:

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Graphic novels are one of my passions, so poked through it and soon realized that this book was SO relevant to my interests that I had to read it immediately.

It’s a book featuring:

  • diverse characters
  • ghosts and creepiness
  • a librarian as the main character
  • reflections on mental health

So, I scarfed it down on my lunch break!

Weir and Steenz have created a compelling mystery buoyed along by a wonderfully morbid setting and interesting characters. The style of the graphic art is lovely, and for that alone I’d be glad to have this book on my shelf.

Capture33^A poignant observation from the beginning of the book: If I had to visualize it, I’d say it makes me think about the walls that protect beach towns from flooding. The water rises and then retracts, and the wall holds, but it leaves line marks. You can tell it’s been there. You know it’s coming back.

There were a few places that the story fell a bit flat (some plot points needed further explanation or illustration, and the ending felt a tad rushed to me) but overall I enjoyed this story.

I give it 4 glaring skulls out of 5!

Graphic Novels for Pride Month!

June is Pride Month!

Graphic novels are a huge interest of mine, so i’d like to share some awesome LGBTQ+ graphic novels to check out if you haven’t already! 🙂

 

Heathen by Natasha Alterici, Charles Martin, Rebecca Rutledge and Kristen Grace

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Love is Love by Marc Andreyko, Phil Jimenez, et al.  (anthology, tribute to victims of Orlando nightclub shooting)

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Are You My Mother? By Alison Bechdel

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Fun Home: A Family Tragicomic by Alison Bechdel

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Wet Moon by Sophie Campbell

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The Bride was a Boy by Chii

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Anything That Loves edited by Charles “Zan” Christensen

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Stuck Rubber Baby by Howard Cruse

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Transposes by Dylan Edwards

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Moonstruck (Series) by Grace Ellis, Shae Beagle and Kate Leth

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Husbands by Jane Espenson et al.

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Bingo Love by Tee Franklin, Jenn St. Onge, Joy San and Genevieve FT

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Calling Dr. Laura: A Graphic Memoir by Nicole J. Georges

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As the Crow Flies by Melanie Gillman

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Kim Reaper by Sarah Graley

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No Straight Lines: Four Decades of Queer Comics edited by Justin Hall

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Adrian and the Tree of Secrets by Hubert and Marie Caillou

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Queer: A Graphic History by Meg-John Barker and Julia Scheele

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My Lesbian Experience with Loneliness by Nagata Kabi

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QU33R edited by Rob Kirby

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100 Crushes by Elisha Lim

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Beyond: The Queer Sci-fi & Fantasy Comic Anthology edited by Sfe R. Monster

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Blue is the Warmest Color by Julie Maroh

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Dar: A Super Girly Top Secret Comic Diary, Volume One by Erika Moen

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On Loving Women by Diane Obomsawin and Helge Dascher

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Princess Princess Ever After by Katie o’Neill

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Tomboy: A Graphic Memoir by Liz Prince

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Sunstone series by Stjepan Sejik

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Snapshots of a Girl by Beldan Sezen

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Wandering Son by Takako Shimura

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Pregnant Butch: Nine Long Months Spent in Drag by A.K. Summers

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Go for it, Nakamura! By Syundei

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My Brother’s Husband series by Gengoroh Tagame

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Skim by Mariko and Jillian Tamaki

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Honor Girl: A Graphic Memoir by Maggie Thrash

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The Backstagers by James Tynion IV and Rian Sygh

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Kim & Kim by Magdalene Visaggio, Eva Cabrera, and Claudia Aguirre

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Spinning by Tillie Walden

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The Less than Epic Adventures of TJ and Amal by E.K. Weaver

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Taproot by Keezy Young

 

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